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PostWysłany: Pon 18:02, 25 Paź 2010    Temat postu: ghd hair products 59lConsumer culture to imagine t

[National Day holiday, just returned from Luoyang, Tsinghua guidance I received the first PhD student, now instructes at Tongji University in Shanghai Miss Wu Jing has just published \rendering mode. \One of the order, I wrote, is crazye in this record, as a way to make the point the new Wu Jing, \Recently, my doctoral paper guided Zhan Qingsheng Tsinghua University won the first prize for outstanding doctoral thesis, I believe that soon will see the publication of his paper published. This time we length 8, force 2 more than one thousand kilometers, so far in Luoyang Zhan Qingsheng return \Hope that the spirit of life we are always full, full. ]

Wu Jing in the guide book mentioned the phrase, \, we mentioned the \Later, she said the words, like the old ghosts that haunted the shade of her no peace.

As she herself said, \association and, more importantly, the rapid development of mass media manner no escape our culture to live in the media, it day after day, copy reproduction of the great character of our daily lives. the one hand it illuminates reality, provides all sorts of image and concept of gender in the male-centered consciousness is still widespread reality, these images have sex or how to inscribe the current male-centered disdistance still exists; the other hand, are constructed with the reality of media culture, tells us What kind of woman is attractive woman, what kind of man is successful, female face of this side of the magic mirror, she painted what the eyebrows, changing the color of the hair, with what kind of smile, to keep What kind of posture, and even choose what kind of love life, the mass media are providing them with a variety of attractive templates and modification techniques, and school of female calls of these beautiful and lovely image and identify with mainstream values in strength. \We can say that it is this sense of restless ghosts that make Wu Jing can with a kind of enthusiasm towards her research, her research has also made an attempt to cross the image, trying to interpret the image persistence perspective, uphold and sharp. In faction, this interpretation is beyond her own frights, a way of release.

we have to recognize, the woman is presented in contemporary media, the media, whether political or commercial media, often used as a tool: Sometimes the bait, sometimes rewarded, and sometimes lies, sometimes a coat by a woman see and be seen, the prevalence of various popular culture texts trying to obtain the recipient through the symbols of the woman or to be convinced or be tempted or be conquered, and eventually quit their own factor, or offer their money. The \

and Wu Jing is trying to state from this nightmare come out and interval this spell. Her from a broad array of media culture, keen to find profiles of the four women present model, from these people seem to have become commonplace in the female symbol to identify their cultural significance, deconstructing their ideographic system, imperative of their ideology false and hegemony. Thus, Wu Jing in the book on women in Chinese film and television melodrama rendering mode, on the one hand supplys a synchronic analysis of horizontal mode, but it is also architecture a frametoil for the interpretation of vertical lasted. She inspected the book from the \\mode, and the Pandora model woman troubles and women of Our Lady Gaia model evolution and change, her social history, and text from the mutual relationships, with the social interpretation of the text, the text interpretation of society, this half a century in China pop off almost all of the female image and text are included in the analysis and critical perspective.

Obviously, Wu Ching followed a doctrine based on the structure / semiotics, psychoanalysis, deconstruction, ideological criticism of methods based on the position of a feminist importante rank. Therefore, we can feel these words sharp,[link widoczny dla zalogowanych],[link widoczny dla zalogowanych], sharp, and the enhenceiasm of the liberation of a symbol, which makes up these words to read text that does not like the academic self-enclosedownd and self-argument, but asserted a more open and realistic link with our life experience, cultural experience and social experience to assert an inner dialogue.

I remember in school, I often joke the way to \bias. \Sometimes she would accept my point of scene sometimes she often refute me, I have a deep-rooted criticism of \Of course, my sex is bound to a certain extent, the logic of my decision and position. However, I am pleased that, precisely as a result of this exchange and dialogue that we have for each other to provide a mirror, a reference to enable us to stick to their position, with a comparison. And I view, all reason often comes from being such a comparison for and against, and not from the conceit, but I'm dominant.

Wu Jing contents of the book in her doctoral thesis formed the basis of additional changes. She is my training at Tsinghua University's first doctoral student, and also my guide's first PhD in Direction of Communication, Communication, Tsinghua University, she was the first professional doctoral students. And her paper was still being attended by marked and often praised the defense of the teacher. This reveals that to carry out her academic proclamations of these institutes. This level, on the one hand from its accumulated expertise and professional training, on the other hand from her academic research and will stand together his life produced by the enthusiasm and inspiration. The combistate is exactly what I thought the most rare kind of academic attitudes and academic way.

in my mind, Wu Jing not only be able to put into popular culture and his own involvement as a common person to experience popular culture, and even sing it into a lot of lurking male pop point of view; the same time, she often coerce in from out of popular culture, from the outside observation and analysis of popular culture, all sorts of conspiracies and bias. It is this one out, brought her insolent criticism of the text, seems to have proved that the \

deconstruct hegemonic logic of popular culture, of procedure, does not mean we will be able to deviate it. However, it was pointed out that the emperor has no clothing false, alsteps let people have the chance to have some doubts. Suspected of itself, is the starting of social and cultural advance and advance. Hope also to see more of Wu Jing in the aloof into its \Mirroring is not do, it is the deviation of reflection.
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